CDs: Djolé - Indiscretion

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9 tracks - over 59 minutes of music.

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01. Kema Bourema.
02. Phox & Pheasant.
03. Neuchatel.
04. Kossa Yembe.
05. Indiscretion.
06. Obvenge.
07. Nossa Bossa.
08. Jazzy Jig.
09. Looking for You.
 

Click on names below to view  Artist Profiles:

Joby Baker (Bass, Keyboard & Kick Drum).

Doug Galbraith (Kora, Nylon String Guitar, Steel String Guitar, Voice & Shakers).

Niel Golden (Tabla, Tamboura & Tambourine).

Scott Sheerin (Silver Flute, Porcelain Flute, Bass Flute, Soprano Saxophone, Shakers & Sruti Box).

 


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Listener Reviews: Indiscretion, by Djolé

(Please Email your comment or review to: webmaster@channeleau.com)


Indiscretion

Naomi DeBruyn - Editor, Linear Reflections: www.linearreflections.com 

Victoria, BC, Canada, 5 / 2002 E.V .

Indiscretion was a Juno Award nominee in 1995 for "Best Global Recording," and two songs from this disc are featured in the multi-award winning Canadian film director Anne Wheeler's "Suddenly Naked."

A wonderful beginning for this Victoria based quartet who specialize in "world beat chamber music."

Djolé is pronounced "jo-lay" and it is the word which the Mandinka people of West Africa use to describe the joy of life.

This is something that is captured in the music which they perform.

Djolé is comprised of Niel Golden, Joby Baker, Doug Galbraith, and ScottSheerin.

Between them, these talented gentlemen perform on the following instruments: kora (21 string West African harp/lute traditionally used by the Mandinka griots, or storytellers), tabla (tuned, paired hand drums used throughout North India in classical, sacred, and folk music), nylon string guitar, soprano saxophone, steel string guitar, bass flute, electric bass, silver flute, porcelain flute, wine bottle, synthesized keyboard, Egyptian tambourine, shakers, tamboura, and the sruti box.

This entire disc is a wonderful journey through what could almost be called spiritual, music from distant lands.

On this disc Djolé attempted to "create a timeless sound interwoven with jazz influences."

I would have to say that they succeeded, and admirably so.

The disc opens with a traditional piece entitled "Kema Bourema," with the arrangement done by Djolé.

According to the liner notes, this is an old kora piece dedicated to 19 year old Salifu Kouyate, a member of a respected griot family who taught the song to Doug while he was in Senegal.

The band included a melodic line which was written by Joby.

There are vast depths to this piece, all of which may never be fully explored no matter how many times one listens.

"Indiscretion" is the title track, and a live improvisation. It features Doug on the Kora, Scott on the soprano saxophone and porcelain flute, Niel on the tabla, and Joby on the bass, kick, and keys.

It's a moody piece, almost teasing in some places, then quickly spinning away to hit a different tone.

I seriously had to laugh at the liner notes description of "Jazzy Jig," "A simple, lively tune that reminds us of Hindu hillbilly rock."

This was a description that just didn't want to fit together in my mind, until I actually listened to the piece.

It truly is an apt description, no matter how incongruous. 

This track was written by Scott Sheerin and Niel Golden.

If you are looking for something different, something culturally diverse, something energized and alive, then look no further.

Indiscretion provides some serious listening pleasure, and Djolé shows their worth as consummate musicians with this disc.


Local band's first disc nets major attention

Adrian Chamberlain - Victoria Times Colonist - 3/25/1995.

(excerpt)

Members of the Victoria music ensemble Djolé were stunned when their first recording was nominated for a Juno Award in the Best Global Recording category.

When Scott Sheerin sat huddled in a clothes closet 13 months ago, he had no inkling he was helping create a Juno-nominated album.

But sure enough, the debut disc by Victoria world-beat / jazz ensemble Djolé has been nominated in the Best Global Recording category for the 1995 Juno Awards.  The ceremony will be televised Sunday from Hamilton.

"I was excited when I found out," said Sheerin, 41, interviewed this week in a local coffee bar.

Djolé's debut disc, Indiscretion, is a startlingly original mix of West African, Brazilian and East Indian sounds fused into a jazz groove inspired by the likes of Miles Davis and Weather Report.

More dynamic than new age, more delicate than world beat and more exotic than anything on Top 40 radio, Djolé (African for "the joy of life") is an unlikely success story.

To their surprise, the band - together only three months when the recording was made - was one of five chosen to be nominated from 40 submissions in the Best Global Recording category.

It's little surprise to anyone who's heard the disc or seen Djolé perform.

Percussionist Niel Golden, who plays Indian hand drums called tabla, provides a gulping, hypnotic backbone.

Doug Galbraith plays the kora, a lute-like instrument native to Senegal, and Brazilian influenced guitar.

Contributing the jazzier sounds are Sheerin, a Berklee College of Music grad, and Joby Baker on bass and synthesizer.

All play with virtuosic skill and artistry.

Sheerin is a jazz renegade.  His love of music is rooted in late '60s jazz-fusion, particularly Miles Davis' influential Bitches Brew recording.

Like the late trumpeter, Sheerin rejects the notion of traditional jazz improvisation.  For him, the "rules" of music are made to be broken, as they are in Djolé.

"When jazz started, it was tired old bricklaying black guys that would sit out on the back porch after working all day and they played what they felt - there weren't any rules.  I'm still in that camp."

One selection on Indiscretion is a live improvisation called Phox & Pheasant. 

The instrumentation, documented in the liner notes, includes a "wine bottle."  Sheerin's explanation says something about his approach to music.

Sheerin noticed a carton containing bottles of Greek wine.  Reasoning he'd had a tough day, he opened one and took a sip.

Soon the musician was making spontaneous music by blowing across the opening of the bottle - it made the final recording.

"We don't necessarily need rules," said Sheerin, "we play what we feel."


Otherworldlies

The Financial post Magazine - 12/1994.

As New Earth they played for Canada at Expo 92 in Seville, now as Djolé (an African word for the joy of life) they sound as appealing and energetic as any ensemble in this or many other lands.

Propelled by four well-tuned engines: Niel Golden's tabla, Doug Galbraith's kora, Scott Sheerin's flutes, they undertake original and traditional rambles - to Senegal and Switzerland, Tanzania and Brazil, Vancouver Island and Maine.

These are Jazz tapestries with world-beat underpinnings.

 


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